Please welcome my guest blogger, Anne Greene, who will be visiting here through next Sunday. Anne will be giving away a copy of her new novel, Marriage By Arrangement. Please remember to leave your e-mail in this format: jill (at) jilliankent (dot) com. You can enter to win a copy of the book until midnight Pacific time on March 31st. Just tell us you're interested and if you have a question please ask. Anne loves to connect with others. The winner will be notified and posted on Monday, April 1st. Void where prohibited. Now please give Anne a warm welcome.
Anne Greene here. When I wrote my book, Masquerade Marriage, I discovered the secret to making each manuscript I write come alive to my readers. In the second book of my Scottish Marriage Series, Marriage By Arrangement, I honed that secret to a fine art.
I’m a great proponent
of improving each manuscript I write. So, I’ve worked diligently to create a
better book so readers will love, keep, and reread my books. My highest hope is
for my readers to enter new worlds, meet fictional friends for life, and find a
spiritual message to encourage and help them along through this life journey.
So I was excited when I
discovered this secret.
During the writing of Masquerade Marriage, I thought I knew
what being in deep point of view meant. I thought I wrote deep point of view. I
knew I had to stay inside the character’s head. I lived inside the character’s
skin. I showed nothing that the POV character couldn’t have seen. I showed only
what the character saw, thought, and experienced in the moment.Yes, I did that. But
that was not enough.While writing Marriage By Arrangement, I dove even
further into deep point of view, dipping both feet into that other important
realm in writing—show, don’t tell.
I discovered that in
Very Deep POV, no thought or action is told.
Everything is shown. So I couldn’t use words like wished, hoped, thought, felt, caused, watched, knew, wondered,
realized, speculated, decided.
I couldn’t use
wonderful verb phrases like happiness flashed
through her, despair tugged at her, jealousy flattened her, love took her
breath away.
I couldn’t write that she smiled with satisfaction, her skin prickled with fear, the explosion made
her jump, the pollution caused her
nose to itch, her heart beat fast with excitement.
No. Emotion by emotion,
each has to be shown, not told. I’ll
give just a few simple examples.
Which is better?
A - Happiness exploded
inside her heart. Or…
B – She couldn’t keep a
grin, almost the size of Texas, from her face. If her sneakers trod on the
polished gym floor, she didn’t know it. Life couldn’t get any better.
A - Despair ground into
her heart. Or…
B - She wilted at her
desk, then dropped her forehead to her folded arms. There just wasn’t any
point.
A - Hot jealousy burned
a hole in her heart. Or…
B - Her face burned all
the way to her ears. She hid her head inside her Journalism book. If he could
date someone else, maybe she needed to show him that she could too.
A - Fury hit him like a
locomotive at full speed. Or…
B - He slammed the door
to her classroom behind him, tramped to where she sat, his shoes slapping the
floor like bullets, and smacked a hand on her desk. This time, she wouldn’t get
away with it.
All the As are telling.
All the Bs are showing deep POV.
So, if you prefer the
Bs to the As, never name the emotion. Let
actions show the emotions. And add
the thought inside the character’s head.
This type of Very Deep
Point of View brings the book and characters to life. Do you already write Very
Deep Point of View in your books? Do you enjoy reading Very Deep Point of View
books. I’d love for you to comment.
Award winning author
Anne Greene writes action-packed, historical fiction filled with heart-warming
romance. You’ll fall in love with her wounded heroes and identify with her
spunky heroines. Visit with her at http://www.AnneGreeneAuthor.com.
Okay everyone. Jill here again. This is a great topic to explore. Please feel free to jump in and comment or ask questions.